T Magazine, September 10, 2015
As Edmund White notes in T’s Fall Men’s issue, our current culture is fascinated by the late ’70s and early ’80s in New York, a period when the city was veering toward financial ruin and downtown looked like a war zone. “The was a reason there was a bar downtown called Downtown Beirut,” says the curator Lauren Miller Walsh. But downtown New York was where artists, actors, musicians and playwrights could afford to live and work, forming a vibrant artistic community.
To commemorate that intensely creative scene, Miller Walsh has curated a number of artworks, photographs and ephemera that will be on display at Rare/Glenn Horowitz Bookseller in New York this fall, starting today. Her inspiration for the show was a monumental portfolio of photos, originally assembled for MoMA PS1’s influential “New York New Wave” show in 1981, and recently acquired by Glenn Horowitz. The photos depict icons of the era: Debbie Harry, Divine, Rene Ricard and Joey Ramone, to name a few. Miller Walsh also mined the archive of the East Village Eye, a monthly avant-garde magazine that was published from 1979 through 1987. Collectively, the show feels like an intimate scrapbook of the Downtown Decade, when a city in ruin hosted a riot of artistic cross-pollination unlike any other time in recent history.
“The Downtown Decade: NYC 1975 – 1985” is on view Sept. 10 – Oct. 10, 2015, at Rare/Glenn Horowitz Bookseller, 17 West 54th St., ground floor, New York, glennhorowitz.com.
New York Observer, July 30, 2015
Opening: “Philip Taaffe: Works on Paper and Illustrated Books, 1982-2012” at Glenn Horowitz Bookseller
Paper, printmaking and books have always played an essential role in Philip Taaffe’s elegant artwork. Writer, curator and publisher Raymond Foye—Mr. Taaffe’s longtime collaborator—has organized this show to present facets of the artist’s varied career. From early collages inspired by William Burroughs and collaborations with Paul Bowles, to works influenced by psychedelic and optical art of the 1960s, the exhibition provides an inside look into three decades of his dynamic practice.
Glenn Horowitz Bookseller, East Hampton, 6-8 p.m.
Hillbilly Magazine, May 29, 2015
Autre, June 12, 2015
In the above video, legendary New York artist Jack Walls talks about everything from his early experiences with photographer Robert Mapplethorpe to the AIDS crisis and his exploration as an artist. On view now at rare bookseller Glenn Horowitz's RARE gallery, the exhibition of new paintings, and the African carvings that inspired them is the first in a series of artist spotlights. The exhibition will be on view until June 27, 2015 at RARE Gallery, 17 West 54th Street New York, NY
Vimeo, June 11, 2015
A short video interview with the subject of RARE's initial Artist Spotlight, Jack Walls, by filmmaker Michael Kasino, shot on-site in the gallery:
Purple Diary, June 9, 2015
A slide show of images from the exhibition.
The Daily Heller, Print Magazine, May 11, 2015
Свет, камера, действие (Lights, camera, action!). If you think you’ve seen Constructivist and Soviet film ephemera before, think again. Or look again at the current exhibition at Glenn Horowitz Bookseller’s Rare Gallery, “Constructivist Design for Soviet Cinema,” on view at 17 W. 54th St., NYC, until May 31. See the digital catalog here.
I asked Lauren Miller Walsh, the director of Rare, how this amazing collection (that includes printed media published in the 1920s and designed by the leading Constructivist designers of the period, including Alexander Rodchenko, Varvara Stepanova, Gustav Klutsis, Konstantin Vialov and the Stenberg Brothers) was assembled:
“All the materials in the exhibition were—quite remarkably—assembled by a single collector, and constitute only a portion of his overall Russian holdings. He was initially introduced to Constructivism through photography, but was soon equally captivated by the movement’s fearless and distinctive design aesthetics.”
“He was especially drawn to the materials created for the Soviet cinema of the 1920s, not just for the stunning caliber of the work and the designers involved—Alexander Rodchenko, Varvara Stepanova, Gustav Klutis and the Stenberg Brothers, among others—but also for its diversity, which included posters, actor profiles, film prospectuses, advertisements, periodicals and books, as well as original photocollages and maquettes. Over 300 of these pieces are currently on display in the gallery, as well as some of the actual films related to them.”
“I’m thrilled to have the opportunity to present such an outstanding and comprehensive design collection, and one in such impeccable condition. Its range and quality are testament to the ingenuity of the period’s artists, the patent political and societal importance of the cinema to the nascent Communist regime, and to this particular collector’s clear vision and discernment.”
You may be familiar with the posters, but these actor profiles, prospectuses, advertisements, periodicals and books, as well as original photocollages and maquettes representing the revolutionary design aesthetics of the era and the political importance of the cinema to the nascent Communist regime will be entirely new.
Among the periodicals on display will be scarce issues of Ekran: Kino-Gazety, Sovetskii Ekran, Proletarskoe Kino, Kino-Fot and Sovetskoe Kino—many in complete annual volumes. Period books on the cinema and filmmaking will also be shown, as will rare original photocollages by Petr Galadzhev and outstanding examples of the Constructivists’ vibrant and visually innovative design.
Dan's Papers, April 14, 2015
East End gallerist Tripoli Patterson will debut his new East Hampton location next weekend, April 25, with Félix Bonilla Gerena: For Lisa, the first exhibition in a series that aims to expand upon and refine the vision that has made Tripoli Gallery such a success in Southampton.
“I wasn’t really aggressively looking to expand,” Patterson says, explaining that the new gallery is a partnership with rare book dealer Glenn Horowitz, who approached him with the idea of showing contemporary art on the ground floor of the bookseller’s Newtown Lane space while he sells books upstairs. Patterson says he was happily focused on his Southampton gallery (at 30A Jobs Lane) at the time, but Horowitz presented a win-win offer he couldn’t refuse.
And now that he’s committed, Patterson is taking what he’s learned and fixed bit by bit in Southampton and using it to create a brilliant space from day one in East Hampton. Armed with the knowledge of the past six years, the gallerist’s vision has evolved and matured, and he won’t allow it to be compromised.
Patterson designed a flowing gallery space with a larger office and sturdy walls for hanging. “I’m not duplicating Southampton, I’m taking it a step further,” he explains.
Just three weeks before his scheduled opening, Patterson was told a poured concrete floor might not be possible, given structural concerns, so he had his crew add more load-bearing support columns in the basement. “I bent over backward for that concrete floor,” he says, but Patterson envisioned it for the space and was determined to see it through.
“Here, everything is thought about and decided,” he says, describing himself as meticulous, but not necessarily a control freak. Patterson says he has good people working with him, and he knows he will have to defer to them if he hopes to successfully manage more than one gallery.
“This is a good test to see how to handle multiple spaces,” he says, noting that he’s always imagined Tripoli Gallery with “worldwide outposts,” and East Hampton could be considered the first step in that kind of growth. “I had an international upbringing,” Patterson adds, recalling growing up with his father, Leonardo Patterson, one of the world’s preeminent experts and dealers of pre-Columbian art and artifacts.
While Glenn Horowitz Bookseller and Tripoli Gallery East Hampton will be managed separately, Patterson says he expects people will enjoy visiting the book dealer and the gallery, no matter which brought them through the doors. He and Horowitz have no immediate plans to do joint shows, but Patterson says he is excited to get input from Horowitz about creating beautiful exhibition catalogues, which add further weight and cache to his artists and their work. “He’s done so many books,” Patterson points out, clearly aware that Horowitz is a man at the top of his game. “If you want to learn to surf well, you surround yourself with the best surfers,” he says, propping Horowitz up as the Kelly Slater or Laird Hamilton of the book world.
Patterson, who actually is a professional surfer, began his art career as an independent curator of wildly popular group shows around the Hamptons. Eventually those successes led to opening Tripoli Gallery in Southampton.
Patterson featured Félix Bonilla Gerena for his first exhibition in Southampton, so he’s bringing the Puerto Rican painter back for his East Hampton debut. “His exhibition kind of pushed me to open that Southampton space,” Patterson recalls, explaining that he and Genera have grown together, so it makes sense to open with him again six years later. “I like to evolve, but I also like consistency.”
Gerena’s upcoming solo show, For Lisa, in memory of the late Lisa de Kooning, opens at Tripoli Gallery East Hampton next Saturday, April 25 and continues through May 17. The artist says he named the show for de Kooning because she offered insight into his work, which inspired this new collection of oil paintings.
“Doing group shows is great, but doing solo shows changed the outlook of the gallery,” Patterson says, describing his love of focusing on one artist and really delving deep, studying and exploring his or her work. That said, Tripoli Gallery also puts on wonderful group shows and Patterson has no plans to stop hanging them. His Annual Thanksgiving Collective remains one of the gallery’s most well attended events.
Following Gerena’s show, Tripoli Gallery East Hampton will feature work by stardom-bound rapper and artist Yung Jake, who also happens to be Patterson’s brother, starting Memorial Day weekend.
Along with Jake and plans to exhibit Lola Montes, and perhaps hold a second Thanksgiving show, in East Hampton, Patterson says he expects to bring in outside curators who he respects and admires.
All of these things promise to continue Patterson’s and Tripoli Gallery’s ascent toward becoming one of contemporary art’s most defining voices on the East End.
Tripoli Gallery East Hampton is located at 87 Newtown Lane in East Hampton. For more info, call 631-377-3715 or visit tripoligallery.com.
Fine Books & Collections, February 6, 2015
RARE’s next exhibition will focus on the work of New York City-based architect James Evanson. A vintage collection of Evanson’s 1980s furniture and lighting designs—including his unique light sculpture Galileo—will be on display from February 19 through March 14, 2015, as well as framed examples of his graphics work, original drawings, and related archival material. This will be Evanson’s first solo show since 1984, and the first to present the full scope of his creative output. The opening will be held February 19th from 6-8 pm.
Trained at both the Art Center College of Design in California and Pratt Institute, Evanson began foray into the decorative arts with a line of custom wooden flat files that quickly caught the eye of Art et Industrie founder Rick Kaufmann, who started offering them in his ground-breaking SoHo showroom.
Inspired by that success, Evanson expanded his range of work, combining architectural elements, applied graphics, and unusual materials into unique furniture and lighting designs which Interior Design magazine praised as “very much au courant, very much ‘New Wave,’” yet also at “the vanguard of what later was to become a pronounced style.” Evanson believes that decoration “should be integral to the shape of furniture and buildings.... To make art is simple, but to make art furniture means integrating many aspects so that the whole piece is not arbitrary and whimsical, but holds together.”
His work has been prominently featured in numerous national galleries and museums, including Novo Arts, Art and Architectural Design, Art et Industrie, Tower Gallery, Gallery 91, and MIT’s Hayden Gallery, and was also selected for several influential Memphis shows. Among Evanson’s ample press notices are articles in magazines and newspapers ranging from the A.I.A. Journal, Metropolitan Home, Progressive Architecture, and Art Week to New York Magazine, Details, International Design, and The New York Times.
In addition to the pieces on display, RARE will also be offering a number of more recent works through a special consignment with the artist, as well as signed, limited editions of his prints.
RARE • 17 West 54th Street, ground floor • New York, NY 10019 • 646.559.0499 firstname.lastname@example.org • www.glennhorowitz.com/rare • @RareGallery54
ArtForum, January 8, 2015
Glenn Horowitz Bookseller will open Rare, a gallery showcasing editions, manuscripts, letters, and archival as well as fine and decorative art from the nineteenth century to the present, reports M.H. Miller of Artnews.The new space is located across from the Museum of Modern Art. Rare's first show is slated to open January 15 and will focus on a book about Alberto Giacometti compiled by photographer Herbert Matter.
The Daily Heller, January 21, 2015
Glenn Horowitz Bookseller is a prestigious name in antiquarian literature and has had both feet in the literature of design history too. The design bibliographic expert Lauren Miller Walsh has taken the helm of Horowitz’s new Midtown gallery, GHB/Rare, located at street level in the Rockefeller Apartments at 17 West 54th Street, across from MoMA’s Sculpture Garden. The gallery’s launch exhibit, “Matter/Giacometti,” opened last Thursday, after which Walsh answered questions about the future of the new venture.
What prompted this extension of Glenn Horowitz Bookseller?
GHB has had a gallery in East Hampton since 1992, and until 2012, we also had a gallery in Manhattan. Since that closed, however, we’d been looking for another space in the city, as we missed having a public venue here, and when the opportunity for this unit opened up—in such an incredible building and location—we jumped at it.
What will be your strongest holdings and earliest shows?
Graphic design is most definitely an important part of our program, but we will also be showcasing fine and decorative arts, literature, photography and history. Our inaugural show, “Matter/Giacometti,” is an examination of Herbert Matter’s 1986 book on Alberto Giacometti, and features both Matter’s vintage photographs for the publication as well as his process materials, including hand-drawn font designs, storyboards, layouts and maquettes. The next show, opening in February, will display the architect James Evanson’s furniture and lighting designs, in conjunction with his original drawings and posters for the pieces. Following will be the artist Sari Dienes in March, and, in May, 1920s Constructivist graphic design for the Soviet cinema. We are also planning shows on modernist furniture, contemporary pop-up books, art pottery, and portraiture.
Do you have a process for selecting content?
One of our goals at Rare is to present material that is not only unique, but also expands the cultural discourse. With that in mind, we search out concepts, artists, authors and mediums which we feel are significant both intellectually and aesthetically, and that also deserve greater attention. In some cases the content will be derived from collections we are currently working on, in others by reaching out to individual artists and authors we admire. In all cases, though, related archival and process materials will also be displayed in order to provide greater insight into the creators, their techniques and their motivations.
How will the gallery make an impact on the design community?
Both because the material we’ll be presenting will often be one-of-kind and rarely—if ever—seen in public, and because the dynamic, scholarly and multidisciplinary manner in which we’ll be presenting it will promote discussion, discovery, reassessments and—hopefully—inspiration.
Fine Books and Collections Blog, January 14, 2015
Tomorrow evening Glenn Horowitz Bookseller will open RARE, a 1,000-square-foot gallery space to showcase "first editions, manuscripts, letters, archival material, fine art, photography, and decorative arts from the 19th century to the present," according to a press release.
Horowtiz—who assisted in the sale of Tom Wolfe's papers to the New York Public Library and, more recently, in the Ransom Center's acquisition of Gabriel García Márquez's papers—has long had his office in New York City, where he buys and sells manuscripts, archival material, and inscribed first editions. The company also publishes illustrated catalogues and monographs, such as the recent Don DeLillo/Richard Prince collaboration, The Word for Snow.
For the last few years, Horowitz has relied on his gallery space in East Hampton for exhibits, a trek for many visitors. RARE, located at street level in the Rockefeller Apartments at 17 West 54th Street, across from the Museum of Modern Art's Sculpture Garden, alleviates that by offering a more convenient exhibit space.
The gallery opening also launches its first exhibit, "Matter/Giacometti." Featuring vintage photographs, storyboards, typeface designs, posters, and letters, the show explores Swiss designer and photographer Herbert Matter's working materials for his book about Alberto Giacometti, nearly 25 years in the making. This is the first time the book (published in 1986) and its associated archives have been the focus of an exhibit. "Matter/Giacometti" will be on display through February 7.
Future exhibits at RARE will include 1920s Constructivist graphics for Soviet cinema and contemporary pop-up books, among others.
For press inquiries, please contact us.